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	<title>National Association for Media Literacy Education</title>
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	<link>http://namle.net</link>
	<description>Welcome to NAMLE.net!</description>
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		<title>February M-arketplace Feature</title>
		<link>http://namle.net/2012/02/02/february-m-arketplace-feature/</link>
		<comments>http://namle.net/2012/02/02/february-m-arketplace-feature/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 19:22:04 +0000</pubDate>
		<dc:creator>Vanessa Domine, Ph.D.</dc:creator>
				<category><![CDATA[Marketplace Reviews]]></category>
		<category><![CDATA[9/11]]></category>
		<category><![CDATA[Daya Kishan Thussu]]></category>
		<category><![CDATA[Des Freedman]]></category>
		<category><![CDATA[featured]]></category>

		<guid isPermaLink="false">http://namle.net/?p=4487</guid>
		<description><![CDATA[Media and Terrorism: Global Terrorism. Edited by Des Freedman and Daya Kishan Thussu (Sage/$45.18 + free shipping). Media and Terrorism brings together leading scholars to explore how the world’s media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current [...]]]></description>
			<content:encoded><![CDATA[<p><strong><a href="http://astore.amazon.com/natiassoforme-20/detail/1446201589"><img class="size-thumbnail wp-image-4484 alignright" title="medianterr" src="http://namle.net/wp-content/uploads/2010/02/medianterr-150x150.jpg" alt="" width="150" height="150" /></a>Media and Terrorism: Global Terrorism. </strong>Edited by Des Freedman and Daya Kishan Thussu (Sage/$45.18 + free shipping). Media and Terrorism brings together leading scholars to explore how the world’s media have influenced, and in turn, been influenced by terrorism and the war on terror in the aftermath of 9/11. Accessible and user-friendly with lively and current case studies, it is a perfect student text and is an essential handbook on the dynamics of war and the media in a global context <a href="http://astore.amazon.com/natiassoforme-20/detail/1446201589" target="_blank">[learn more]</a>.</p>
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		<title>Ithaca College Goes to Shangri-La to Teach Media Literacy</title>
		<link>http://namle.net/2012/02/01/ithaca-college-goes-to-shangri-la-to-teach-media-literacy/</link>
		<comments>http://namle.net/2012/02/01/ithaca-college-goes-to-shangri-la-to-teach-media-literacy/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 03:22:01 +0000</pubDate>
		<dc:creator>Rhys Daunic</dc:creator>
				<category><![CDATA[NAMLE Action!]]></category>
		<category><![CDATA[Bhutan]]></category>
		<category><![CDATA[Project Look Sharp]]></category>

		<guid isPermaLink="false">http://namle.net/?p=4481</guid>
		<description><![CDATA[Project Look Sharp at Ithaca College is working with educators in Bhutan to integrate media literacy throughout the country. Bhutan, located at the eastern end of the Himalayas, is the last nation in the world to receive television. Chris Sperry, the director of curriculum and staff development for Project Look Sharp, will be in Bhutan [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignleft size-full wp-image-1484" title="Project Look Sharp" src="http://namle.net/wp-content/uploads/2010/09/ico_logo_looksharp.gif" alt="Project Look Sharp" width="126" height="79" />Project Look Sharp at Ithaca College is working with educators in Bhutan to integrate media literacy throughout the country. Bhutan, located at the eastern end of the Himalayas, is the last nation in the world to receive television. Chris Sperry, the director of curriculum and staff development for Project Look Sharp, will be in Bhutan Jan. 27–Feb. 3, while associate professor of psychology and founding executive director of Project Look Sharp Cyndy Scheibe will travel there in early March. The government of Bhutan has already drafted a media literacy curriculum, and is teaming with Project Look Sharp to assist with its implementation. Sperry will post to a blog that he hopes will also serve as an interactive opportunity for both Bhutanese and American teachers and students to question and learn from one another. The blog is at <a href="http://www.looksharpblogs.org/" target="_blank">http://www.looksharpblogs.org/</a><wbr>.</wbr></p>
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		<title>Teaching Media Literacy During The 2012 Campaign Season, by Frank W. Baker</title>
		<link>http://namle.net/2012/02/01/teaching-media-literacy-during-the-2012-campaign-season-by-frank-w-baker/</link>
		<comments>http://namle.net/2012/02/01/teaching-media-literacy-during-the-2012-campaign-season-by-frank-w-baker/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 03:03:21 +0000</pubDate>
		<dc:creator>Rhys Daunic</dc:creator>
				<category><![CDATA[MLE News]]></category>
		<category><![CDATA[Frank W. Baker]]></category>
		<category><![CDATA[politics]]></category>

		<guid isPermaLink="false">http://namle.net/?p=4479</guid>
		<description><![CDATA[I wouldn’t be surprised if voters in Iowa, New Hampshire, South Carolina and now Florida have thrown their televisions away: after being bombarded by political campaign commercials, not all of them produced by the candidates. News reports, quoting political insiders, said the Super PAC spots have influenced voters. As a media educator, I see these [...]]]></description>
			<content:encoded><![CDATA[<blockquote>
<div>
<div>I wouldn’t be surprised if voters in Iowa, New Hampshire, South Carolina and now Florida have thrown their televisions away: after being bombarded by political campaign commercials, not all of them produced by the candidates. News reports, quoting political insiders, said the Super PAC spots have influenced voters.</p>
<p>As a media educator, I see these slickly-produced spots as perfect fodder for teaching media literacy—whether that’s in an English, Social Studies or Arts classroom. Teaching students how to understand the techniques used in these commercials is one of the most important media literacy skills.</p>
<p>Years ago, I was pleased to have found <a title="http://astore.amazon.com/natiassoforme-20/detail/0262540657" href="http://astore.amazon.com/natiassoforme-20/detail/0262540657" target="_blank">The Spot</a> (Diamond/Bates)—the quintessential text for understanding the history and development of the 30 second campaign ads. (Two other highly recommended books are  Tony Schwartz’s The Responsive Chord and Joe McGuiness’ The Selling of The President.) I built workshops and created <a title="http://www.frankwbaker.com/media_politics" href="http://www.frankwbaker.com/media_politics" target="_blank">a web site</a> around using the ads with teachers and students.</p>
<p>Later, entire television programs were broadcast in order to help the electorate see through the production techniques: The Living Room Campaign (A&amp;E) and Sell &amp; Spin: A History of Advertising (The History Channel) come to mind. Web sites like <a title="http://www.pbs.org/30secondcandidate/" href="http://www.pbs.org/30secondcandidate/" target="_blank">The 30 Second Candidate</a>; <a title="http://www.livingroomcandidate.org/" href="http://www.livingroomcandidate.org/" target="_blank">The Living Room Candidate</a> and <a title="http://www.easehistory.org/castream.asp?id=2" href="http://www.easehistory.org/castream.asp?id=2" target="_blank">EASE History</a> are some of the “go to” sites for studying previous campaign ads.</p>
<p>In 2008, I attended one of the nationally televised GOP presidential candidate debates in South Carolina—taking my camera so I could document the process in action. You can see the results of my work in  a book I wrote for students: <a title="http://astore.amazon.com/natiassoforme-20/detail/0313347557" href="http://astore.amazon.com/natiassoforme-20/detail/0313347557" target="_blank">Political Campaigns and Political Advertising: A Media Literacy Guide</a>. In this book I explain media literacy and examine how the media work during presidential campaigns. I focus on photography’s role during Lincoln’s time; the rise of radio during FDR’s tenure; televisions’ historic coverage of debates and conventions; and of course new media.</p>
<p>Today, web sites like <a title="http://www.factcheck.org/" href="http://www.factcheck.org/" target="_blank">Factcheck.org</a>, <a title="http://www.politifact.com/" href="http://www.politifact.com/" target="_blank">Politifact.com</a>, <a title="http://newstrust.net/truthsquad" href="http://newstrust.net/truthsquad" target="_blank">Truthsquad</a> and columns such as the <a title="http://www.jsonline.com/news/statepolitics/136024488.html" href="http://www.jsonline.com/news/statepolitics/136024488.html" target="_blank">AP’s Adwatch</a>, are helping news consumers understand the fast-paced campaign commercial by dissecting the words and images—relevant and important 21<sup>st</sup> century media literacy skills.</div>
</div>
</blockquote>
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		<title>Call for Papers: CFP Journal Issue on Creative Technologies</title>
		<link>http://namle.net/2012/02/01/call-for-papers-cfp-journal-issue-on-creative-technologies/</link>
		<comments>http://namle.net/2012/02/01/call-for-papers-cfp-journal-issue-on-creative-technologies/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 02:46:47 +0000</pubDate>
		<dc:creator>Rhys Daunic</dc:creator>
				<category><![CDATA[MLE News]]></category>
		<category><![CDATA[http://creativetechnologies.engagelab.org]]></category>

		<guid isPermaLink="false">http://namle.net/?p=4477</guid>
		<description><![CDATA[The following is a call for papers from the CFP Journal Issue on Creative Technologies Editors: Nelson Zagalo and Pedro Branco We&#8217;re pleased to announce an upcoming issue of the Journal of Communication and Society dedicated to the new domain of Creative Technologies. ***SCOPE*** Since dawn of humanity we developed creative technologies, tools such as ink, [...]]]></description>
			<content:encoded><![CDATA[<p>The following is a call for papers from the <a href="http://creativetechnologies.engagelab.org">CFP Journal Issue on Creative Technologies</a></p>
<p>Editors: Nelson Zagalo and Pedro Branco</p>
<p>We&#8217;re pleased to announce an upcoming issue of the Journal of<br />
Communication and Society dedicated to the new domain of<br />
Creative Technologies.</p>
<p>***SCOPE***</p>
<p>Since dawn of humanity we developed creative technologies,<br />
tools such as ink, carving tools, or sounding objects that support<br />
manifestations of creativity. Creative Technologies (CT) have<br />
always been the ground for human expressivity; to sustain<br />
self-realization; to raise self-esteem; to increase community<br />
bonds; and to create a better society.</p>
<p>In the last 30 years the development and convergence of a series<br />
of technologies lead to phenomenon that is different from<br />
anything Humanity has witness before. The online sharing, the<br />
free, the opensource, the accessible technological tools for<br />
creation, all enabled many more people to create and express<br />
themselves through digital media, leading to massive amounts of<br />
rich media content creation by the curious hobbyist all the way to<br />
the artists and professionals.</p>
<p>We believe that there is a new cultural movement taking shape.<br />
This movement is providing a &#8220;voice&#8221; through which anyone can<br />
express to everyone whatever their imagination can create. At the<br />
core of this emerging cultural movement are digital technologies<br />
that enable the access to sophisticated tools for rich media<br />
content creation, interactive content, sharing of ideas, discussion<br />
and distribution.</p>
<p>In this special issue we are looking for contributions to the<br />
discussion that approach this phenomenon from a wide variety of<br />
perspectives and knowledge areas, ranging from the<br />
communication field, to the technological aspects.</p>
<p>***TOPICS***</p>
<p>We call for position papers in the following (non-exclusive) list of<br />
topics:</p>
<ul>
<li>Fundaments of creative technologies</li>
<li>Democratizing innovation</li>
<li>DIY movement</li>
<li>Tools for Conviviality</li>
<li>Expressive processes</li>
<li>Technologies and Culture</li>
<li>Creative Play</li>
<li>Creative Games</li>
<li>Tools for Authorship and Participation</li>
<li>Technological paradigms for CT</li>
<li>Communication paradigms for CT</li>
<li>Media business changes because of CT</li>
<li>Creative Community</li>
<li>The new authors</li>
<li>Creativity</li>
</ul>
<p>***LINKS FOR INSPIRATION***</p>
<p>PressPausePlay (2011), Documentary by David Dworsky, Victor<br />
Köhler Making is Connecting (2011) Book by David Gauntlett<br />
We-Think: Mass innovation, not mass production (2008) Book by<br />
Charles Leadbeater Here Comes Everybody: How Change<br />
Happens when People Come Together (2009), Book by Clay<br />
Shirky Free: The Future of a Radical Price (2009), Book by Chris<br />
Anderson Leonardo&#8217;s Laptop &#8211; Human Needs and the New<br />
Computing Technologies, (2002), Book by Ben Shneiderman</p>
<p>***SUBMISSION***</p>
<p>Authors are asked to submit first an abstract proposal of 250<br />
words that will be reviewed for acceptance. After that authors will<br />
then be requested to submit full papers which will go through<br />
peer-review process. Final papers must be formatted with CECS<br />
publication guidelines. Submissions and any question, or doubts<br />
should be sent to: <a href="mailto:creativetechnologies@engagelab.org" target="_blank">creativetechnologies@engagelab.org</a></p>
<p>***Accepted LANGUAGES***<br />
Portuguese, Spanish, French and English</p>
<p>***IMPORTANT DATES***</p>
<p>Abstract proposition of interest (250 words): 28th February 2012<br />
Notification of acceptance: 15th March 2012</p>
<p>Full paper submission: 30th of April 2012<br />
Revisions Notification: 30th May 2012</p>
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		<title>February 2012 M-Passioned Member: DC Vito</title>
		<link>http://namle.net/2012/02/01/february-2012-m-passioned-member-dc-vito/</link>
		<comments>http://namle.net/2012/02/01/february-2012-m-passioned-member-dc-vito/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 13:23:11 +0000</pubDate>
		<dc:creator>Jaclyn Kahn</dc:creator>
				<category><![CDATA[M-Passioned Members]]></category>
		<category><![CDATA[DC Vito]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[free media literacy training]]></category>
		<category><![CDATA[media education]]></category>
		<category><![CDATA[Media Literacy]]></category>
		<category><![CDATA[NYPL]]></category>
		<category><![CDATA[The LAMP]]></category>

		<guid isPermaLink="false">http://namle.net/?p=4457</guid>
		<description><![CDATA[1) What do you do? I am the Executive Director and Co-Founder of The LAMP (Learning About Multimedia Project), a non-profit organization bringing free media literacy training to youth, parents and educators throughout New York City.  2) Tell me about your latest work or project in media literacy. As far as work goes, The LAMP has had [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://namle.net/2012/02/01/february-2012-m-passioned-member-dc-vito/dcv-at-wmf-2011/" rel="attachment wp-att-4461"><img class="alignleft size-medium wp-image-4461" src="http://namle.net/wp-content/uploads/2012/01/DCV-at-WMF-2011-300x257.jpg" alt="" width="300" height="257" /></a><strong>1) What do you do?</strong></p>
<p>I am the Executive Director and Co-Founder of <a href="http://www.thelampnyc.org/" target="_blank">The LAMP (Learning About Multimedia Project)</a>, a non-profit organization bringing free media literacy training to youth, parents and educators throughout New York City.</p>
<div>
<div>
<p><strong> 2) Tell me about your latest work or project in media literacy.</strong></p>
</div>
</div>
<p>As far as work goes, The LAMP has had a huge year in 2011. We nearly doubled our number of programming hours, expanded to three full-year program sites and are in the process of finalizing a contract with the New York Public Library for media literacy workshops in their branches. This makes us (we think) the first media literacy non-profit to work with all three public library systems in New York City&#8211;the Brooklyn Public Library, the Queens Public Library and the NYPL.</p>
<p>In addition, we&#8217;re coming up on the one-year anniversary of LAMPlatoon, which is an advertising literacy project where people take existing television commercials and remix them with their own critical statements and observations about what is going on in the commercial. In doing that, people show how and why advertisements make such a huge impact on the way we understand the world around us. They rely on assumptions about what we should want, stereotypes about how different groups of people should act, and play on emotions to make us feel a personal connection with a product. LAMPlatoon has been growing in a huge way; our video breaking the Dr. Pepper Ten &#8220;It&#8217;s Not for Women&#8221; commercial is at just about 15,000 views on LAMPlatoon&#8217;s YouTube channel and there&#8217;s a pretty illuminating dialogue happening in the comments section for the video as well (<a href="http://www.youtube.com/thelamplatoon#p/u/6/Qjcas79lqRQ" target="_blank">http://www.youtube.com/thelamplatoon#p/u/6/Qjcas79lqRQ</a>). But we&#8217;ve also got videos exposing false claims in advertising (like the General Mills&#8217; &#8220;Big G Cereals&#8221; video: <a href="http://thelampnyc.org/lamplatoon/?p=186" target="_blank">http://thelampnyc.org/lamplatoon/?p=186</a>) and videos made by kids who are just in the discovery process of finding out how ads get to them (like the How Cereal Gets in Your Head video: <a href="http://thelampnyc.org/lamplatoon/?p=372" target="_blank">http://thelampnyc.org/lamplatoon/?p=372</a>). LAMPlatoon is really growing right now, and we&#8217;re excited about plans bringing it to many more classrooms and teachers in the coming year.</p>
<p><strong>3) Why is media literacy important to you?</strong></p>
<p>Media are at the heart of so much of what we do every day, but oftentimes in very subtle ways. A lot of people don&#8217;t stop to think or be really honest about why they&#8217;ve come to believe they need to buy a certain product to be happy, or why they expect people of different races, genders, creeds or sexual orientations to act a particular way. Media messages have a lot to do with that, but frequently that goes unexamined. There are a lot of problems in American schools, and the fact that media literacy is more or less overlooked is just one of them. But it&#8217;s especially problematic here in New York City, where kids are so saturated with ads and media that you can&#8217;t walk one block without some kind of instruction or solicitation. And, just like anywhere else in the United States, you&#8217;ve got parents struggling to make ends meet and keep up with their kids, and you&#8217;ve got teachers facing an increasing number of challenges even while their resources for meeting those challenges are being taken away a little more every day. Media literacy and media education are certainly not cure-alls for every problem, but they are a big part of getting us on track.</p>
<p><strong>4) What are you most excited about in the media literacy field?</strong></p>
<p>I&#8217;m excited about the gradual increase in awareness I&#8217;ve seen about media literacy. Particularly when The LAMP first started back in 2007, when we pitched our programs it was not so uncommon for a funder or potential partner to say something like, &#8220;I just think it&#8217;s important for kids to know how to read.&#8221; I&#8217;ve noticed a shift where people seem to be getting that media literacy is reading, and that what we have traditionally thought of as literacy isn&#8217;t enough anymore. The #pencilchat meme on Twitter is a great example of how the importance of technology and media in education are really seeping into the mainstream consciousness.</p>
<p><strong>5) Why did you become a NAMLE member – what benefits do you see to membership and how will it support your work?</strong></p>
<p>NAMLE provides us with an incredible network that is truly one-of-a-kind for our field. The connections we made and the camaraderie we picked up at the conference last summer have made a great impact on The LAMP&#8217;s ability to grow, even during times like these which are tough economically and which can be especially challenging for progressive ideas. The NAMLE community is so important for grassroots organizations like The LAMP, and it&#8217;s hard to think of how we would operate without it.</p>
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		<title>Podcast: Tightwad Teacher #28 &#8211; Media Literacy in the K-12 Classroom</title>
		<link>http://namle.net/2012/01/19/podcast-tightwad-teacher-28-media-literacy-in-the-k-12-classroom/</link>
		<comments>http://namle.net/2012/01/19/podcast-tightwad-teacher-28-media-literacy-in-the-k-12-classroom/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 20:08:53 +0000</pubDate>
		<dc:creator>Rhys Daunic</dc:creator>
				<category><![CDATA[Members in the News]]></category>
		<category><![CDATA[Brian Brugger]]></category>
		<category><![CDATA[Frank W. Baker]]></category>
		<category><![CDATA[John Mikulski]]></category>
		<category><![CDATA[Tightwad Teacher]]></category>

		<guid isPermaLink="false">http://namle.net/?p=4449</guid>
		<description><![CDATA[Teachers John Mikulski and Brian Brugger discuss tips and techniques for the cash-strapped classroom teacher in the Tightwad Teacher podcast.   On episode 28 John, Brian, and Mark discuss media literacy and its impact on the classroom and teaching standards with author, and NAMLE member, Frank Baker. Podcast: Tightwad Teacher #28 &#8211; Media Literacy in the K-12 [...]]]></description>
			<content:encoded><![CDATA[<div>
<p>Teachers John Mikulski and Brian Brugger discuss tips and techniques for the cash-strapped classroom teacher in the Tightwad Teacher podcast.   On episode 28 John, Brian, and Mark discuss media literacy and its impact on the classroom and teaching standards with author, and NAMLE member, Frank Baker.</p>
<p><strong>Podcast: <a href="http://elementopie.com/feeds/tightwadteacher/?p=episode&amp;name=2012-01-17_teach28__media_literacy_in_the_k12_classroom.mp3">Tightwad Teacher #28 &#8211; Media Literacy in the K-12 Classroom</a></strong></p>
<p>&nbsp;</p>
</div>
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